Odinakachi Okoroafor
Chioma at the pool, 2025
Chioma at the pool, 2025
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About this work
About this work
Chioma at the pool is the first official screenprint by Odinakachi Okoroafor, produced in collaboration with Trium Art Gallery.
The work derives from one of the most significant paintings in the artist’s career - a canvas that marks the transition into a new phase of his pictorial language, more open, free and expressive.
For the first time, his figures no longer inhabit enclosed spaces, but move within a field of colour animated by emotion and vitality.
As the artist reflects:
“This work represents a moment of happiness. It is an invitation to enjoy life. In my language we say: ‘Just once we come to this world’ - we come into this world only once, and we must live it fully.”
Edition
Edition
Dimensions
Sheet: 63.5 × 76 cm
Image: 57.5 × 71 cm
Technique
5-colour screenprint on Somerset TS RW 410 gsm fine art paper
Details
Signed, dated and numbered in pencil by Odinakachi Okoroafor along the lower margin
Certification
Accompanied by a certificate of authenticity
Release date
November 17, 2025
Payment, Policies & Shipping
Payment, Policies & Shipping
Payment
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Policies
Right of withdrawal and terms & conditions apply.
Shipping
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The first official screenprint by Odinakachi Okoroafor, produced in collaboration with Trium Art Gallery.
A five-colour screenprint edition printed on Somerset fine art paper and signed, dated and numbered by the artist.
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“This work represents a moment of happiness. It’s an invitation to enjoy life. We only come into this world once - and we must live it fully.”
Odinakachi Okoroafor
Odinakachi Okoroafor lives and works in Enugu, Nigeria. His artistic journey began early, when a passion for drawing led him to pursue formal studies in art, first in technical education and later at the University of Nigeria in Nsukka, where he earned a Bachelor of Fine Arts. Okoroafor’s practice is marked by precision and conceptual depth: inspired by barcode structures and lace motifs, his works examine the black body as a site of memory, resistance, and layered histories. Often created through a combination of screen printing, delicate brushwork, and image transfer techniques, his paintings evoke the physical and symbolic scars of identity, labor, and inherited trauma.
Since his first exhibition in 2010, Okoroafor has steadily gained international attention. His solo shows include Ogadinma (Kutlesa Gallery, Switzerland, 2021), L’equilibrio della sintesi (Milan, 2022), and Children Not Bride (Ivory Coast, 2023). He has exhibited in major group shows such as 1-54 London, Art X Lagos, Christie’s New York (Say it Loud), and WOPART in Lugano. His work has entered important collections across Europe, the United States, Africa, and Asia, and he has taken part in acclaimed residencies and awards including the Kunyehia Art Prize and the Rele Gallery Residency.